![]() A deceptively “whacky” looking animated series, Centaurworld is actually a layered mash-up of genres and styles, packing in ridiculously catchy musical numbers, fanciful characters-a kleptomaniac gazelletaur, a musclehead finchtaur, and a peculiarly comfortable moletaur among them-and a story that never abandons its serious roots even as it explores the more absurd corners of the strange setting. Yet when she’s inexplicably transported to a bizarre world of singing, magical centaurs, Horse is forced to question her very existence as she seeks a way home-before her new reality warps her into a caricature of her former self. ![]() Horse has only ever known two things: war, and her beloved human, Rider. Teenage knife crime (in the second season), the rise of right-wing sentiment, and the police’s history of violence towards immigrants are effortlessly woven into gags.This content can also be viewed on the site it originates from. (When Nate runs off, the police officer asks the others why he ran, and Mobeen says: “If I had to guess, I’d say it’s because he’s black.”) Much of Man like Mobeen is laugh-out-loud comedy, but there’s a healthy dose of wokeness to be found here, too. In the first episode, a transaction to buy a laptop results in three SWAT teams closing in on them for no reason. Mobeen, the head of the group, takes care of his sister, Aks (Dúaa Karim), in the absence of his parents, trying to be a good guy, while also trying to escape his past as a drug dealer. Except it is because of the way Western society sees them. ![]() Two of them happen to be Muslim but it’s not a big deal. Mobeen (Guz Khan), Eight (Tez Ilyas), and Nate (Tolu Ogunmefun) are three mates from Birmingham. It’s also not so much about being a good Muslim. However, Man like Mobeen is a bit more street than Ramy and a lot more British. And from that honesty comes a lot of dramatic realness but also a very funny, well-paced show.Īt first glance, those who enjoyed Hulu’s Ramy might be tempted to view this as the UK version of it. Anybody who has had a child or knows somebody that does will be able to confirm the hilarious honesty of The Letdown’s writing and performances. Audrey’s career-focused husband Jeremy (Duncan Fellows) also has a penchant for being unhelpful and so it’s up to her to somehow make things right. ![]() It doesn’t help that new mother Audrey Holloway seeks help at a parenting group with a rather unhelpful maternal health nurse (Noni Hazlehurst). Written with a lot of heart by Alison Bell (who you might know from Laid), the female lead, and Sarah Scheller, The Letdown perfectly captures the transition from being a care-free thirty-something to becoming a mother, where everything feels too much and failing feels only a second away. But we also live in the “age of the cerebral”, so you’re typically getting some really deep stuff to go with it. If you’re like us, there’s always room for good 20-minute comedy show in your life. ![]()
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